Paper Boats

Chapter 29

What Remains

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Mama Ruth died on a Tuesday in late July, in her sleep, in the hospice bed by the window that looked out at the fig tree she'd have insisted, right up to the end, still owed her one more good season.

Both granddaughters were there. This was, itself, a thing that would not have happened two months earlier, and both of them understood it as such, standing on either side of the bed in the grey hour before dawn, holding hands they'd only relearned how to hold that same summer, watching an old woman's breathing go shallow and then simply stop, the room settling into a silence that felt, strangely, less like an ending than like something finally, gently, set down. "She waited for us to be okay," Camille said, quietly, into the stillness. "I really think she did. I think she held on till she saw us actually sitting in the same room without flinching."

"Maybe." Odessa wiped her own eyes, not embarrassed by it, not managing her face for anyone. "Or maybe she just went when her body was done, and we're the ones who needed it to mean something bigger. Either way." She looked at her grandmother's still, peaceful face. "Either way, she got her wish. She wanted us to figure it out before she went. We didn't figure out all of it. But we figured out enough."

The funeral, a week later, was at the same church as Desmond's had been, the same fig tree visible through the same side windows, and this time the two sisters stood together at the front of the parlor, not at the back, not careful with the distance between their shoulders, and when it came time for the family to speak, they spoke together: Odessa telling the story of the fig preserves nobody could label because a woman who couldn't tell fig from anything else by looking at it didn't deserve the fig, Camille telling the story, new to most of the room, of a Fourth of July and a birthday party and a woman crouching to correct a girl's posture, both of them, without planning it, weaving a version of Mama Ruth that held her difficulty and her love in the same two hands, refusing, the way Odessa had told herself she was learning to refuse, to let one cancel out the other.

Aunt Denise came up to them afterward, at the repast, older now, greyer, and took both their hands in hers.

"I should've said more, back then," she told them, not needing to specify when, both women understanding exactly which afternoon she meant. "I said the one thing and let the table change the subject and I've regretted it every day since. I'm sorry. To both of you, in different ways, I'm sorry."

"You said something," Odessa told her. "That's more than most people in that house ever managed. I heard you, even if nobody else let themselves."

They did not, in the weeks that followed, decide anything grand or ceremonial about what they were going to be to each other going forward. There was no single conversation where they sat down and drafted the terms of a reconciliation. What happened instead was smaller, and more durable, in the way real repair usually is: Camille started coming by on Thursdays, a standing thing now, not a bakery box in hand but an actual dish sometimes, because Odessa had started teaching her, badly at first and then less badly, how to make a roux that didn't break. Odessa started calling on Sunday afternoons, no occasion required, just to talk, the way sisters who'd had twenty years of ordinary Sundays together might have called, catching up on nothing in particular, the specific unremarkable intimacy neither of them had ever gotten to have and were now, slowly, awkwardly, gratefully building for the first time. Marquis started calling Camille "Aunt Cam" without anyone teaching him to, which both women noticed and neither commented on, because commenting on it felt like it might scare the ease of it away.

Grant met Odessa for the first time at a Thursday dinner in August, and was, to Camille's quiet relief, entirely unpretentious about the house, about the neighborhood, about a version of his wife's family he'd never once been introduced to in nine years of marriage, and ate two full plates and asked for the recipe, which Odessa gave him, with amendments, delivered the way she delivered most things, with a dry humor that made him laugh out loud twice before dinner was over.

"He's alright," Odessa told Camille later, on the porch, once he'd gone to bring the car around. "Bit quiet. But alright."

"He's trying," Camille said. "We're both trying. Different project than this one, but I think it's working, slowly."

"Good." Odessa looked out at the yard, the evening settling in gold the way it always seemed to, this particular summer, no matter what hour she looked at it. "I'm glad somebody's trying on your side too. You deserve that, Camille. Whatever else this family did or didn't give either one of us, you deserve somebody actually trying."

They sat together on the porch a while longer, the way they'd sat together most evenings that whole summer, and neither of them said, out loud, the thing both of them were quietly feeling, which was that whatever this was now, not fixed, not finished, still carrying the scar tissue of nineteen lost years and a family's whole tangled failure underneath it, was, for the first time either of them could remember, actually theirs. Not their father's love, narrow and undivided and impossible to share. Not their mothers' separate, complicated versions of protection. Something the two of them had built themselves, out of a summer's worth of hard conversations and an old woman's dying wish and a stubborn refusal, on both their parts, to let another nineteen years go by in silence.

What remained, once the worst of it had finally been said, turned out to be simpler than either of them had expected, and harder-won, and more durable for the hardness of the winning.

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